The new Hotel Gracery opens in Kabukicho in the heart of Shinjuku on April 24th, part of the changing landscape of a district more known for sleaze than sightseeing.
This being a Japanese hotel, they decided to create a special themed room to celebrate the opening. And they chose Godzilla!
Up on the thirtieth floor, the Godzilla Room will cost you just under ¥40,000 (over $300) for a weeknight, while at weekends and holidays the rate jumps to nearly ¥50,000 (over $400). It features a chamber decked out in items from the Godzilla films, including a large model of the iconic kaiju. Even the restroom is decorated in Godzillas. Best of all, though, is Godzilla’s hand bursting through the wall to grab you while you sleep. Definitely guaranteed to help you get a good night’s sleep.
If you are lucky enough to secure a reservation, you can stay at the Godzilla Room between May 6th and June 30th.
For a different experience, you can go for one of the two ninth floor Godzilla View Rooms, offering you a vista of Japan’s most famous beast at your window. Staying at one of these will cost you a mere ¥15,000 ($125) per night — pretty much the cost of a regular central Shinjuku hotel room.
The choice of Godzilla is not merely due to the newly revived popularity of the monster movie series, which has come thanks to a Hollywood film last year and another home-grown live-action reboot scheduled for the future.
The hotel building also includes a Toho movie theater complex and Toho is, of course, the film studio responsible for the Godzilla franchise. On top of the cinema there is going to be a huge Godzilla head, which, Kotaku says, “will peek out of the Toho Cinema’s roof, looking over the Shinjuku streets below.”
If you fancy a romantic spot for the evening in Kabukicho, head to the observation deck on the roof to see Godzilla up close.
It generated enough headlines when it opened and now it will surely get some more.
The Robot Restaurant in Shinjuku Kabukicho launched in late 2012 on a wave of publicity, not least for its enormous budget and advertising campaign featuring the eponymous robot vehicles been driven. Even if it wasn’t your thing, admit it — you were curious too, right?
And now the Robot Restaurant has its own mascot character, Roboko. (Strictly speaking, they have simply rebranded their robotic vehicles that star in the show as a mascot.)
Roboko is taking part in Japan’s “battle of the mascots”, last year won by Sanomaru. The robotic vixen is entry #55 in the corporate character competition in the Yuru-kyara Grand Prix, which is decided by public voting.
We’re not sure about Roboko’s chances against the likes of Kumamon and Funassyi, but you can’t knock them for trying. Last year there were 1,245 regional mascots and 335 corporate characters in the running. The top two regional mascots (the corporate ones get a separate ranking) had over 1 million votes each! (In other words, entering the competition is great for getting more exposure.) The 2013 Grand Prix’s top corporate mascot was Kosuke, the character for the Japanese Cooperative Insurance Association.
The restaurant has made over 10 of its “robots”, with the first ones on display in the entrance as they were apparently actually too big to fit in the final space. They reckon this makes Roboko perhaps the largest yuru-kyara in Japan!
As we wrote in a review last year, we found the Robot Restaurant a bit half-baked. There aren’t any genuine “robots” in the show, more like vehicles that that the dancers ride around on. And despite the risque outfits, it’s not really an adult show nor a regular idol event — something that sits oddly in between. And the staff at the reception were just like you’d expect from a venue located in Tokyo’s most notoriously sleazy district, i.e., pretty unwelcoming.
It also felt significant that around half the clientele were foreign (the restaurant ranked 16th on a recent list of most popular sightseeing spots in Japan for overseas visitors). Anyway, we don’t want to sound too snarky, we are sure that the show must have some appeal and we wish Roboko all the best in the competition. We would say “break a leg” but we doubt that’s physically possible for her.
Voting continues until October 20th, with the winners announced in November.
If Kabukicho had a theme park starring Akihabara chika aidoru (“underground” idols), this might be it…
It is located in the heart of Shinjuku’s world of the erotica. The entrance is a garish, bright open plaza manned by cold beefy bouncers who are if not quite rude, certainly very unwelcoming and unhelpful (don’t expect any kind of guidance). In other words, just like a sex club or strip club.
Anyway, then you go over to the main building on the other side of the street to a horrifically bright waiting room. Seriously, it’s so bright that your eyes hurt. There you are surrounded mirrors and flashing lights, and constant sound.
After waiting for the audience to leave from the previous show, you then go down the stairs to the basement performance area where you are given a bento lunchbox and asked to take a seat on one of the two audience areas. It is a kind of traverse stage, with the “show” happening in the hallway between the two blocks of seats.
This means you spend as much time watching the giant walls of screens showing cheap CGI battles and images of female warriors on horseback, and, naturally, the faces of the other audience members.
We were expecting an audience of sleazy guys or otakus, but actually it was mostly just curious Japanese and foreigners. Considering that the club has advertised itself on its mammoth budget (10 billion yen or $130 million!), the handful of empty seats are not a good sign, though. (Saying that, we can’t really see where the money went but anyway…)
Now to the show itself. Words fail me. It features essentially about 20 dancers who play instruments and, well, dance. Stylistically it’s the biggest smorgasbord of kitsch and the burlesque you are likely to see outside of a Takarazuka performance, only with Kabukicho strip culture and Akihabara chika aidoru motifs thrown in for good measure. It is also erotic; all the girls are scantily clad, plus some had busts we hadn’t seen in Japan except in a porn film.
But more than being aroused, we were most of just simply befuddled by the swirling vortext of influences and elements poured into the mix here. A fighting panda. Drumming girls. A dinosaur. A tank. Sci-fi. Robots. Sex. Sexism. Cheesy smiling idol subculture with genuinely alluring sexuality (well, actually, that’s quite common in Japan so we’re at least used to that).
It is around an hour long, though structured as a series of numbers, so there are quite frequent pauses. Considering it now costs ¥5,000 (with a bento lunchbox meal and drink included), it is a little expensive then, though the kitsch is priceless. For the record, I went with a group of gay Americans and they all seemed to have a whale of a time.
The style of the dancing and music was more Gekidan Shinkansen than genuine strip club, and the finale with the carnival float robots (you have to wait quite a while for the robots to appear!) and a neon tank, followed by dancers who hang from the ceiling, is utterly impossible to define.
Here’s the video we made!
You get the Robot Restaurant, built at a reputed cost of 10 billion yen ($130 million).
Kind of like the leftovers from an unfinished Mad Max sequel, these scantily clad ladies ride around on large “robots” for pseudo-idol performances, only without much singing or dancing.
Following its opening over the summer, the Robot Restaurant has proved so popular that the charge has now increased to a whopping ¥4,000 yen ($50). Each “show” lasts around one hour and is held three to four times a day. Heck, it’s cheaper than Vegas, maybe?
We do like the nod to traditional Japanese theatre (namely Bunraku puppet theatre) with the stagehands dressed in black (kurogo), since officially they are “not there” as they arrange the set. Actually the whole affair has an air of Kabuki (appropriately for its location) or Gekidan Shinkansen — high octane, utterly superficial and silly, and yet kind of entertaining as well.
There is also an interesting list of types of customers who will be turned away at the door. It includes host and hostesses (or other people working in mizushobai industry — a large amount of whom ply their trade in Kabukicho), as well as cosplayers and otherwise “unusually” dressed people, and even “pushy” personalities (presumably to protect the performers). (Plus you cannot watch the show wearing sunglasses.)
This is intriguing since the concept of the restaurant is definitely Akihabara and Harajuku subcultures, mixed with the naughtiness of Kabikicho — and yet all the genuine minions of these domains might not be allowed in to see the results!
We haven’t been ourselves yet and we wonder how longer this place will be around… but we’re tempted.