It has been over a month from the surprising Mt Ontake volcanic eruption in late September, which ultimately killed 57 people.
One of those who perished was Kazuo Wakabayashi (66), from Matsumoto City in Nagano Prefecture.
It goes without saying that his family struggles to cope with their loss and nothing will bring back Wakabayashi. However, Japanese camera maker Nikon have tried to help in the best way they can.
Wakabayashi was a camera buff who loved to shoot landscapes when he went hiking or fishing. He took a Nikon camera with him on his fateful hike to Ontake and the device was later returned to his family on October 1st, coated in ash and broken.
The camera was a new one; he had only bought it in July. The data had also been lost in the disaster and Wakabayshi’s family was only able to view images taken on one day. The rest were gone. Nikon heard about the camera in a Yomiuri Shimbun newspaper article and then offered to repair it for the family.
Though it was damaged beyond repair in the eruption, over 10 days Nikon was able to restore the lens, the filter, and the circuit board, all without charge of course. The camera body was also cleaned up and handed back to Wakabayashi’s eldest daughter on October 30th.
They were able to recover the digital data for the family so that they could see the roughly 200 photographs Wakabayashi took before his death and which his family feared had been lost forever.
Mt Ontake, a volcanic mountain between Nagano and Gifu prefectures, erupted at 11:53 a.m on September 27th, resulting in a 4km ash cloud.
[Image source: Asahi]
The eruption took hikers on the mountain by surprise (an alarm was sounded 10 minutes before the eruption) and sent them running for cover from the ash, as this video shows.
We have been updating this post as more information is released.
It is now thought over 50 people have been killed in the eruption, mostly because of falling rocks. Many others have been reported badly injured and hundreds more evacuated. The mountain is over 3,000 meters tall and aircraft are being diverted from the plumes of ash in the skies above the volcano. The side of the mountain is coated in a vast coat of ash, making it resemble a lunar landscape.
Mt Ontake, Japan’s second largest volcano, also previously erupted in the late 1970′s.
Watch the sky change after the eruption at around noon in this time lapse video.
You can see more images and videos of today’s eruption on Gigazine.
Japan has got its knickers in a twist over a French newspaper’s satirical cartoon that shows two emaciated wrestlers facing up for a bout in the 2020 Tokyo Olympic Games with the Fukushima reactors ominously in the background. A commentator is saying, “Thanks to Fukushima, sumo has become an Olympic sport.”
Le Canard Enchaine poked fun at the announcement that Tokyo would be hosting the 2020 Olympic Games. The sumo wrestlers have extra arms and legs.
The Japanese government is said to be very upset over the “regrettable” satire and plans to make a formal complaint via the Japanese embassy in Paris.
“This kind of cartoon hurts the feelings of those who suffered in the disaster and gives an incorrect impression of the problem of contaminated water at the Fukushima No. 1 power plant,” said Chief Cabinet Secretary Yoshihide Suga in Tokyo.
During the final Olympic bid’s presentation on September 7th Prime Minister Abe claimed that the Fukushima leak in the sea was “under control”. The wording of his claim has since been contradicted even by TEPCO and it seems obvious to all that the leader’s bullish statements were disingenuous to say the least.
We would argue that, more than a French cartoon, Abe’s over-confidence — or bald-faced lie — is more upsetting to those who suffered in the disaster, not to mention the hypocrisy of the PM now claiming to take responsibility for the region’s problems only when it was crunch time for the Olympic bid.
France was one of the most vocal countries at the height of the Fukushima crisis and was accused by some of alarmism when it told its citizens to flee Japan. Though in the end Tokyo was never in danger, its strong reaction to the disaster seems in hindsight not to be so disproportionate given that, approaching three years after, we are still seeing massive radiation leaking out from the crippled plant.
One issue here is that satirical cartoons are not common in Japan so people are not used to such caricature in the media. Le Canard Enchaine is not anti-Japan but it is here exposing the farce of the authorities, and their failure to truly deal with the problems.
The Japanese government is overly sensitive to foreign jokes and pokes from overseas media. There was a similarly ridiculous and pompous response when British comedy quiz show QI used the example of double A-bomb survivor Tsutomu Yamaguchi (“the unluckiest man in the world”) in one brief section of an episode in early 2011. Although it was perhaps insensitive and dangerous to bring up the tricky subject of nuclear war in what is essentially a light-hearted show — but what is the job of comedy if not to be daring and break taboos? — the actual butt of the quips made by the show’s panelists was British rail service. It was a case of a joke lost in translation.
France’s media has been particularly bold in criticizing the Olympic decision. A program on TV channel France 2 showed a doctored photo of Eiji Kawashima, the goalkeeper of the Japanese national football squad, with four arms. The joke was that a “Fukushima effect” had allowed him to be such a good goalkeeper in Japan’s shock defeat of France.
With tens of thousands still living in temporary housing in Tohoku, there is a bitter irony in Tokyo spending millions on developing its bay area for an Olympic Village and other facilities for its citizens to revel in the festive euphoria of the Games.
Here are some examples of temporary housing.
Here is what the Olympic Village will look like.
Which would you rather live in?
After the Tohoku disaster, we have all become a bit more conscious of the “gear” needed in an emergency. Bottled water. Warm clothes. Geiger counter. Hardhat.
In Japan, schools and companies typically have a supply of helmets to protect people’s heads during earthquakes. Most of these are standard hardhats, usually in a bright color and pretty ubiquitous in design.
But why be boring, even when you are keeping your head safe from falling objects?
That’s where something like the Kakumet by yellow inc. comes in.
It’s a geometrically themed designer helmet, with these funky contours that not only look a bit different (a touch of the Stormtrooper?), they also make it easier to stack more helmets — particularly useful in space-strapped Japan.
We love the shape and the numerous colors, not to mention the opportunities it offers for customizing.
The makers sell plain Kakumet hardhats but can also add corporate logos for extra effect. Many external designers have been stepping in and creating new versions of the Kakumet for certain clients.
Japan has long had a flair for how to turn ordinary hardhats into something really special. Consider the helmets that all the various radical activist groups wore during the political upheavals of the Sixties and Seventies. Each had its own insignia and markings to indicate which group or “sect” the wearer belonged to. Take a gander at all the multitudes of design below.
Following the Tohoku disaster in March 2011, we’ve all thought much more about the kind of tools and clothes that we need when society as we know it breaks down. From flashlights to emergency supplies, water, geiger counters and warm clothing, you need a surprising amount of “basics” in order to survive the aftermath of a major disaster.
Fortunately, you are not alone and even Japan’s fashion designers are thinking of ways to help you out.
Final Home is a fashion brand run by Kosuke Tsumura, survival wear with a difference.
It proposes to provide ultra practical (and stylish) clothing fashion — to the extent that your coat can become your shelter after your regular home has been destroyed (by flood, typhoon, earthquake, tsunami, nuclear meltdown et al).
The signature product is a funky nylon coat with numerous pockets. These can be filled with stuff depending on the occasion. For example, if you are sitting at a sports game, slip in a cushion to make your seat more comfortable. Or if you roughing it in the wild, scrunch up sheets of newspaper and insert them in the pockets to add warmth (and fuel for fire).
Tsumura has also made clothes out of air cushions, with some pretty spectacular results.
Final Home actually started in 1994 but recently has been gaining a lot of attention, perhaps not coincidentally after the Tohoku catastrophe. Tsumura’s brand has been asked to contribute to the current exhibition at the Mori Art Museum, “All You Need is Love”, as well as an exhibit at the 21st Century Museum of Contemporary Art, Kanazawa until the end of June.
His designs was also spotted at Roppongi Art Night 2013 and he recently presented his work at the Nico Nico Gakkai Beta Symposium.
During the Great East Japan Earthquake on March 11th, 2011 many of the victims or people affected were children. So the “Pokémon with you” project was started to support the disaster-struck region and give children there the feeling that Pokémon will always be with them.
Pokémon makes them smile again, helping them to face tomorrow and making their dreams come true.
One of the “Pokémon with you” projects is the Japan Railway East Pokémon train, a sightseeing train.
For the first time the train isn’t simply just decorated with Pokémon on the outside, but the whole interior also now takes the passengers into the world of Pokémon. This includes a playroom that looks like a forest, and also so-called “communication seats” to enjoy the scenery outside together with the family or friends while having a nice chat.
Since December 2012 the train has been running between Ichinoseki station and Kesenmema station with several stops to collect stamps and take pictures at the photo spots with Pikachu and co. Of course, you can also buy merchandise charity to support the children in the Tohoku region.
For those times when need your own space after a major emergency, you don’t need luxury to get the job done.
World Space agrees and that’s why they have come up with the Sleep Box, a new cardboard “house” with a door and two small windows, in which a refugee can “reside” until they get new permanent dwellings.
Resembling a kind of dog kennel meets oversized cockroach trap, the Sleep Box is made from reinforced cardboard that is light, easy to assemble (and de-assemble) in around 15 minutes, and also heat resistant and sound-proof.
In the winter apparently just your body heat is enough to keep it warm; no heaters required (just as well, with the flammable materials) — so it’s kind of like a static sleeping bag (not a coffin, I know you were thinking it).
One house measures 208 x 90 x 96cm, designed to fit just one adult when lying down. Lighting can be added inside as an optional extra.
Privacy is a serious issue for refugees. Evacuation centers place basic needs first and things like privacy low on the list. After the Tohoku quake, many architects and designers have created prototypes for simple shelters that can provide some relief in terms of privacy and integrity to evacuees.
These kinds of innovations could literally save lives. Apparently 50% of the deaths at evacuation centers after the Tohoku disaster have been due to fatigue. Comfortable surroundings undoubtedly contributes to this.
The Sleep Box could be stored at home and is very much in the Compact Japan mode, the land of the capsule hotel, one room apartments and so on. Heck, with the local apartments being what they are, sometimes it can feel like you are already living in one to start with. Certainly the shacks that enterprising homeless guys build in parks are already a bit similar. To some British readers, the Sleep Box might recall a kind of low-fi Anderson Shelter, the bomb shelters families used to give themselves protection during the Blitz.
World Space are ambitious, expecting to ship 100,000 products in their first year. The cost is perhaps surprisingly high, though, at 14,500 JYP (nearly $200).
Okay, so the news has been rather grim in Tokyo of late. Earthquakes. Tidal waves. Nuclear meltdown. Radiation clouds. Etc etc.
But trust the Japanese to come up with some novel and often brilliant ways to cope with an emergency situation.
So you are the proud owner of a precious (and expensive) poodle and the idea of a post-apocalyptic world without pooch is just too much. No sweat. There are some innovations to ensure that your pet survives!
Certainly top of the unusual chart comes the Pet Emergency Evacuation Jacket, though we don’t think it actually looks much stranger than some of the other odd dog fashion accessories we saw around Tokyo.
An eco shopping bag and helmet in one: No other nation could have thought of something so simple but ingenious.
The 2011 Tohoku disaster inspired a small company called Storia to create this headgear-cum-shopping bag, the Grappa. The bottom of the bag is made of helmet-style hardened plastic so that it can double effectively as an earthquake hood.
Electricity has been foremost in local people’s minds over the past eighteen months, particularly how fragile our supply of it can prove to be.
A few years ago Sanyo first released their Eneloop batteries series, probably the best energy-efficient household batteries available today. Since then there have been lamps, neck warmers, hand and feet heaters, power boosters and more.
We like the BunBun Eco Light, especially its nifty size and pop color design.
A similar principle powers the Hand Crank Disaster Flashlight, though being a radio as well, you may find this a life-saver in terms of communication come a major catastrophe.
And if you have no batteries but plenty of salinity, then the clever Salt Water LED Lantern by Green House is for you.
It’s a bit older now but the innocuous-seeming NoPoPoPo is also flashlight powered only by H20.
For obvious reasons, there has also been a recent spat of new handheld radiation measuring devices and geiger meters for the average consumer, including the Peramos, which is for children, or the Air Counter, while looks like Muji designed down.
They have minimalist designs and pared down functionality in order to provide purely a straightforward am-I-in-danger level of information.
No one is pretending they should be used to decided government policy but as a basic household device that can give some peace of mind, every Tokyoite may end up buying one in the end just in case…